Friday, October 4, 2019
Art Research paper Essay Example | Topics and Well Written Essays - 2250 words
Art Research paper - Essay Example revolutionized the Western art scene, while Middle-Eastern cultures denounced it as blasphemy. With the advent of Christianity, the nude form was suppressed and it was not until the Renaissance, when artists looked to antiquity for inspiration, that the nude form came in vogue once again. The period between the 15th -17th century saw some of the most renowned works of nudes come into being. Kenneth Clark2 (1956) whose seminal work on the female nude gave way to much animated discussion on this forgotten topic, credits the Renaissance with giving an impetus to this form, saying ââ¬Å"In the greatest age of painting, the nude inspired the greatest workâ⬠. The nude female form continues to inspire artists and art lovers to this day and many ground breaking studies reveal the various nuances of female depiction, its metamorphosis over the ages and the reaction it evokes, ranging from awe to a total denial of its worth as a subject. The words nude and naked are often interchanged for each other, but the difference in their meaning is so wide that the word nude invariably evokes the image of a person without clothes but it has an aesthetic ring to it. Naked on the other hand can mean intolerance and a subsequent discarding of clothes or even to a cult of nudists who exhort people to give up clothing. To put forth the idea more clearly, we can use Kenneth Clarkââ¬â¢s definition of the terms, where he says ââ¬Å"To be naked is to be deprived of our clothes, andâ⬠¦. the embarrassmentâ⬠¦in that condition. The word nude carries â⬠¦no uncomfortable overtoneâ⬠¦it projectsâ⬠¦a balanced, prosperous, and confident body: the body re-formed.â⬠The author has delineated the female nude in conformity with religious, cultural and philosophic tenets of classical and modern Western society. Clarkââ¬â¢s theories are the benchmark for any argument for or against the female nude, while John Bergerâ⠬â¢s study of the relation between the work of art and the person
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